Our initiatives in support of museums
In 2025
▪▪▪ restoration of the Battle of Waterloo diorama
▪▪▪ acquisition of a Warhammer game board
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Association of Friends of the
Antoine Vivenel and Figurines
2 bis, Rue d’Austerlitz
60200 Compiègne
Previous initiatives
■ In 2024
▪▪▪ acquisition of a woodcut/print
Noli me tangere (Christ appears to Mary Magdalene as a gardener).
Provenance: Antoine Vivenel Collection (1799 Compiègne – 1862 Paris).
Hans Leonhard Schäufelein / Noli me tangere / Woodcut on paper, c. 1504, 18 cm x 18.3 cm
▪▪▪ Acquisition of a diorama for the Figurine Museum
La Boulangerie / Electrified diorama /
Mixed media. H. 29.5cm W. 70cm. D. 28.5cm /
Late 20th century / Denyse Denisselle.
▪▪▪ Funding for the restoration of four Greek vases at the Antoine Vivenel Museum
The restorer at work at the Centre Antoine Vivenel
■ In 2023
In 2023, thanks to memberships and donations from the Friends, two plaster busts stored in the Antoine Vivenel Museum’s storerooms were restored: Hygieia and Alexander with Helmet.
Bust of Alexander wearing a helmet,
plaster, 19th century.
Before and after restoration.
■ In 2022
In 2022, the Friends acquired and donated two paintings by Paul Louis Morizet (1850–?) to the Antoine Vivenel Museum: ‘View of Pierrefonds’ and ‘View of the Banks of the Oise’.
The museum already owns two paintings by this artist: ‘Perspective of the Banks of the Oise’, acquired by the Friends in 2020, and ‘View of Compiègne from the Heights of Margny’. This addition helps to form a coherent collection of paintings.
Paul Louis Morizet, View of Pierrefonds, oil on canvas
The Friends continued their mission to promote the collections of the Antoine Vivenel Museum by funding the restoration of a casket and a box displayed during the exhibition “Ivoire, ivoires”, which took place at the Centre Antoine Vivenel from 14 May to 18 September 2022.
Box, China, wood, ivory.
Casket, India, wood, ivory, tortoiseshell, ferrous metal, silver, velvet.
■ In 2021
Les Amis fully funded the restoration of an anonymous painting, a Portrait of a Man.
This oil on canvas underwent extensive restoration work by two conservators working in tandem, one on the support (canvas, stretcher), the other on the paint layer (varnish, repainting, losses, retouching).
Our association has also decided to fund the restoration of the painting’s gilded frame, thereby enabling it to be brought out of storage and included in the permanent exhibition at the Antoine Vivenel Museum.
Les Amis are continuing their mission to promote the museum’s collections by fully funding the restoration of the plaster bust of Albert Robida created by his son, Frédéric Robida.
This work was on display at the Centre Antoine Vivenel from 15 May to 19 September 2021, during the temporary exhibition ‘Albert Robida, the Explorer of Time’.
The bust underwent dusting and surface cleaning. The pencil drawing on the right hand was consolidated and the gaps filled in. A few chips in the paint layer were retouched to harmonise the overall appearance. The bust has now been added to the permanent collections of the Antoine Vivenel Museum.
■ In 2020
The Friends fully funded the acquisition of a painting by Paul Louis Morizet, *Perspective of the Banks of the Oise*, painted in 1906.
This landscape painter and wood engraver was born in Paris in the 19th century. He exhibited at the Salon des Artistes Français in Paris and received an honourable mention in 1884.
This view was painted from the penultimate house on the Quai de l’Écluse in Compiègne (now number 350). The Antoine Vivenel Museum has another painting by this French artist in its collections: a *View of Compiègne from the Heights of Margny*.
Following the restoration in 2019 of the majolica pieces held at the Antoine Vivenel Museum, carried out by a heritage conservator specialising in ceramics, the museum’s conservation team wished to showcase one of the Antoine Vivenel Museum’s most iconic collections.
To mark the occasion, the Friends funded the installation of plinths for the majolica pieces, allowing them to be displayed to their best advantage on suitable supports. This collection, on display on the first floor of the Antoine Vivenel Museum, has therefore been given a new presentation, one that is more modern and easier for the public to appreciate.
■ In 2019
The Peking Opera is back at the Museum of Historical Figurines.
This diorama depicts a scene from the Chinese Peking Opera during the Qing Dynasty (1644–1911).
This ensemble was made from raw clay, a fragile material that made the restoration and cleaning of the figurines a complex task.
This restoration was made possible thanks to the support of the Association des Amis des Musées Antoine Vivenel et de la Figurine historique.
In addition to publishing two issues of *Amusée-vous*, a small magazine for the museums of Compiègne, we helped the Antoine Vivenel Museum acquire a book by Albert Robida: *Les Assiégés de Compiègne, 1430*.
A folio edition containing all the original drawings.
Published by H. Laurens, “Plume et crayon” collection (1905), folio in a slipcase, vellum watercoloured by the author, original drawings, 132 pages.
This is a unique item.
■ In 2018
Thanks to the patronage of the Association des Amis des musées Antoine Vivenel et de la Figurine historique, this elephant ivory flywhisk has undergone a complete restoration.
This flywhisk consists of a delicately carved cylindrical handle into which more than two hundred ivory slats are inserted. The handle is decorated with twisted patterns and stylised floral motifs. The slats are smooth, approximately 5 mm wide and 1 mm thick at the handle, tapering to become as thin as paper at their tips.
This princely object, crafted from Indian ivory, can readily be attributed to 18th-century Mughal production due to its characteristic ornamental repertoire, featuring alternating poppy and cypress motifs.
■ In 2017
Initiative by Les Amis in 2017.
As part of the opening of the new non-Asian art gallery at the Antoine Vivenel Museum, the Friends funded the modelling of a Japanese samurai statue.